INTERVIEW 61. Lisle Mitnik (Fireflies)
Lisle lives in Chicago. He makes music in his home and has a few different projects. Holding them all together, there's a delicate and fragile sense of melody with roots in classical music and dreams of being part of The Beatles.
Throughout the years - wether as Fireflies, Very Truly Yours (where he plays guitars), Tiny Fireflies (a duo with Kristine, also from Very Truly Yours), or Edine Avec Lisle Mitnik Et Son Orchestre (with Edine from The Marshmallow Kisses) - Lisle's been crafting melancholic gems that are a hybrid of infectious, addictive indiepop with the prettiest - sometimes guitar, sometimes mellotron, sometimes piano - strums, a DIY aesthetic resembling lo fi acts from the 80s and an imagery field with hopeless love and winter scenarios.
All in all, his music is a celebration of beauty in a world where classical music goes very well with indie pop guitars and winter wonderlands.
Below you'll be able to go even deeper into Lisle's world and aesthetic. Get a cup of coffee or tea, put on your headphones and just let Fireflies music be your companion as you read his words.
site bandcamp facebook
labels:
fireflies,
interview,
lisle mitnik,
tiny fireflies,
usa
breathe
TEAR TALK BREATHE bleeding gold records 2013
Tear Talk's debut EP Port Sunlight (2012), was a tribute to melancholy, sound textures and gloomy - but also sunny - days. A whole universe presented in 6 songs, created by guys that a year before the release of the EP, didn't know how to play their instruments.
Music, indeed, comes from within...
A year has passed since their debut. It got raving reviews, passionate followers and was called the best EP of 2012 by this humble blogger.
Now they're back with B R E A T H E, a 7'' featuring 3 songs also released via Bleeding Gold Records.
Their already signature melancholic, texturized sound gains more depth and goes darker. While 'Port Sunlight' features a Galaxie-500-meets-the-C86-movement kind of sound, B R E A T H E comes with a darker take on post punk-ish melancholy. The songs take their time to build up and create a feeling that reminded me of the expression "the calm before the storm" (the restraint, almost spoken vocals help to build the mood).
At the end of the hypnotic 5 minutes of 'Parallel', it's impossible not to think that there's this band making music for a couple of years, with 2 very distinctive releases - one made for sunny winters and the other for apocalyptic nights. I was curious to hear what would come after 'Port Sunlight': would it be more of the (beautiful) same? What I got was a sense of movement and cinematic expansion.
As I said before, Tear Talk's universe is a cohesive collection of brights and darks, feelings and cold hearts painted with talent, distorted guitars and a sense of direction.
Worth of mention: the amazing cut out artwork and colored vinyl. If good music wasn't enough, beautifully made vinyls and artworks are also a signature of Bleeding Gold releases.
facebook bandcamp soundcloud interview
Tear Talk's debut EP Port Sunlight (2012), was a tribute to melancholy, sound textures and gloomy - but also sunny - days. A whole universe presented in 6 songs, created by guys that a year before the release of the EP, didn't know how to play their instruments.
Music, indeed, comes from within...
A year has passed since their debut. It got raving reviews, passionate followers and was called the best EP of 2012 by this humble blogger.
Now they're back with B R E A T H E, a 7'' featuring 3 songs also released via Bleeding Gold Records.
Their already signature melancholic, texturized sound gains more depth and goes darker. While 'Port Sunlight' features a Galaxie-500-meets-the-C86-movement kind of sound, B R E A T H E comes with a darker take on post punk-ish melancholy. The songs take their time to build up and create a feeling that reminded me of the expression "the calm before the storm" (the restraint, almost spoken vocals help to build the mood).
At the end of the hypnotic 5 minutes of 'Parallel', it's impossible not to think that there's this band making music for a couple of years, with 2 very distinctive releases - one made for sunny winters and the other for apocalyptic nights. I was curious to hear what would come after 'Port Sunlight': would it be more of the (beautiful) same? What I got was a sense of movement and cinematic expansion.
Worth of mention: the amazing cut out artwork and colored vinyl. If good music wasn't enough, beautifully made vinyls and artworks are also a signature of Bleeding Gold releases.
facebook bandcamp soundcloud interview
labels:
bleeding gold,
tear talk,
uk
the chaotisch days. 5
Today is this little boy's birthday.
He turned 29 today.
He runs this blog and wants to share 29 songs with you.
labels:
mixtape,
the chaotisch days
nectarine
COLOURED CLOCKS NECTARINE (independent, 2013)
Heartfelt progressive pop psychedelia. Or as the band defines it: augmented pop. From Melbourne, Australia.
facebook bandcamp
Heartfelt progressive pop psychedelia. Or as the band defines it: augmented pop. From Melbourne, Australia.
facebook bandcamp
labels:
australia,
bandcamp,
coloured clocks,
independent
INTERVIEW 60. the arctic flow
Making music is - among other things - an act of honesty. And while the concept is highly subjective, sometimes we run into artists that exude this concept by creating utterly personal universes. For some people (I include myself in this group) that's where they find truly musical gems.
That's the case of The Arctic Flow, a project created by Brian Hancheck from Myrtle Beach, South Carolina.
The Arctic Flow has several releases since its beginning in 2008 in labels like Holiday Records, Bubbletone Discos, Beko DSL and more recently Dufflecoat Records. You can check and get them all at his bandcamp page.
Long live the sensitive ones.
facebook bandcamp blog
Here's our interview.
labels:
brian hancheck,
interview,
the arctic flow
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