Showing posts with label uk. Show all posts
Showing posts with label uk. Show all posts

INTERVIEW 69. jessica weiss (fear of men)

photo by Jacob Lillis
Fear Of Men is a 4 piece from Brighton (UK).
Combining a unique aesthetic where art meets philosophy, their straightforward guitar pop dwells mostly with a somber look on love, the contradictions of being and living without falling into a Joy-Division-or-Morrissey-esque cliché. Their explorations sound fresh and  spontaneous.
It's "Existentialist pop". Somber, sinister and "human, all too human" with an unrequited sense for catchy, blissful melodies and odd, decaying and foggy imagery.
Their debut album/compilation Early Fragments is available via Kanine Records.

facebook     bandcamp     twitter     tumblr


breathe

TEAR TALK BREATHE bleeding gold records 2013

Tear Talk's debut EP Port Sunlight (2012), was a tribute to melancholy, sound textures and gloomy - but also sunny - days. A whole universe presented in 6 songs, created by guys that a year before the release of the EP, didn't know how to play their instruments.
Music, indeed, comes from within...
A year has passed since their debut. It got raving reviews, passionate followers and was called the best EP of 2012 by this humble blogger.

Now they're back with B R E A T H E, a 7'' featuring 3 songs also released via Bleeding Gold Records.
Their already signature melancholic, texturized sound gains more depth and goes darker. While 'Port Sunlight' features a Galaxie-500-meets-the-C86-movement kind of sound, B R E A T H E comes with a darker take on post punk-ish melancholy. The songs take their time to build up and create a feeling that reminded me of the expression "the calm before the storm" (the restraint, almost spoken vocals help to build the mood).
At the end of the hypnotic 5 minutes of 'Parallel', it's impossible not to think that there's this band making music for a couple of years, with 2 very distinctive releases - one made for sunny winters and the other for apocalyptic nights. I was curious to hear what would come after 'Port Sunlight': would it be more of the (beautiful) same? What I got was a sense of movement and cinematic expansion.
As I said before, Tear Talk's universe is a cohesive collection of brights and darks, feelings and cold hearts painted with talent, distorted guitars and a sense of direction.

Worth of mention:  the amazing cut out artwork and colored vinyl. If good music wasn't enough, beautifully made vinyls and artworks are also a signature of Bleeding Gold releases.


facebook     bandcamp     soundcloud     interview


best for guests. thom + linda (echo lake)


Echo Lake is a band from London that creates atmospheric, dreamy and lush landscapes of distorted indiepop.
 Following the praise received for an EP and a single in 2011, this year they released their debut album Wild Peace via Slumberland and Pain In Pop.

Below, Thom (guitars) and Linda (vocal) share their best albums, gigs and artists of 2012.

site     facebook     soundcloud     twitter


THOM

TOP 5 ALBUMS
1 GRIZZLY BEAR Shields 
2 CHROMATICS Kill For Love
3 LOTUS PLAZA Spooky Action At a Distance
4 SPIRITUALIZED Sweet Heart Sweet Light
5 TY SEGALL AND WHITE FENCE Hair

BEST GIG
Hard to pick a very best but Spiritualized at Hackney Empire, Grizzly Bear at Brixton Academy, Bruce Springsteen at Hyde Park and Shellac at Primavera were all really amazing shows.

BEST SINGLE
BEACH HOUSE Wild


BEST NEW BAND FOR 2013
VISION FORTUNE 
One of the best London bands I've seen this year. A few years ago I used to be in a very short lived band with the Singer, Austin. It's great to see him making music again but also such incredible stuff.
It's like super heavy, Pysch, Kraut, and played live it's visually really insane with clever use of strobe lights. I reckon they will have a really big 2013.
site     facebook


------------------------------------------------------------

LINDA

TOP 5 ALBUMS
WOODS Bend Beyond
BEACH HOUSE Bloom
TAME IMPALA Lonerism
SHARON VAN ETTEN Tramp
GRIZZLY BEAR Shields

TOP 5 GIGS
BEACH HOUSE Primavera Sound
ST VINCENT Mexfest, Porto
SPECTRUM Shacklewell Arms
SPIRITUALIZED Hackney Empire
WILD FLAG the Lexington


FAVOURITE ARTIST FOR 2013 A GRAVE WITH NO NAME
I know that A Grave With No Name has spent this year getting his next album together. I sang some guest vocals on it earlier this year so I've had the chance to hear his new material and it is sounding incredibly beautiful. I can't wait to hear the finished album next year!
facebook      soundcloud

BEST LOCAL ARTISTS AND A SONG BY THEM
OMI PALONE

NOVELLA You're Not That Cool

IDES 16

PARADISE Endless Waves

MOON GANGS Sky

best for guests. the deddingtons

The Deddingtons is a band that started in 1988 in the UK and by 1992 was no more (I won't get into details here, the band explains their story below). I was exposed to their music via the amazing 6 volumes collection The Sound Of Leamington Spa, released via Firestation Records.
Their song 'Last Day' was, by far, my favorite song of that compilation. Happily, I wasn't the only one...
This year, Cloudberry Records released an album featuring songs recorded between the period the band was active. A collection of 10 songs filled with a DIY aesthetic, Sarah Records echoes and jangly pop melancholy...
COMEBACK OF THE YEAR!!!                            
                                                                                                            site     twitter
------------------------

"2012 has been a year of comebacks, resurrection, even. From the mighty Stone Roses to the more modest album we put out on Cloudberry, everyone seems to have risen like Lazarus. That sounded really simple, " the album we put out....". As though it was an straightforward act, an easy offering.

Let me explain: The Deddingtons disappeared around 1992, having been together for just under 3 years. Those 3 years crystallized a great deal - from barely being able to play our instruments confidently, to writing and recording. Excitement when the A&R man from WEA in New York called and said he, "loved our stuff.." through to the disappointment of the same guy seemingly disappearing from the planet, after we'd recorded a new bunch of songs. This was an age of being home-spun: not merely an affectation, quite simply there was no other way we put our demos together. Second-hand gear and "letraset" press packs; hands sore from hand scoring and folding cassette inserts only for the next batch of record label rejections to arrive, neat (and not so neat..), polite (and not so polite..) but nonetheless resolute in their messages. Slowly our dreams of being, "nearly as good as The Sundays" ebbed and faded.

Roll forward to 2010 and a cold autumnal Sunday when I absent-mindedly tapped "The Deddingtons" into You Tube and up popped "The Last Day" which a guy called Greg had uploaded, being a favourite track from the Leamington Spa series of compilations. Well this was a surprise to me, and the other Deddingtons (once a Deddington, always a Deddington....) as we had no idea that this track had snuck its way from our cosy Loft into the big wide world. People got in touch in many ways. Roque from Cloudberry sent me a note via YouTube introducing himself and we became friends. He interviewed us for his blog and from there suggested we might like to release some tracks. What a great idea. But where were they? Well, the original masters are probably in a landfill site somewhere after a helpful housemate of Chris King's decided to declutter their shared cellar. It might be argued that we were the original "Indie Landfill", but we'll leave that to the academics. What is important though, is that back ups had been taken by the ever-diligent Matt Wright and languished, unheard for many years on a DAT tape. We individually listened back to our younger selves (there was even a rehearsal recorded, which acts as a very personal timecapsule..). Something started to re-kindle and, to paraphrase Paddy McAloon, if you fan the embers long enough...

Throughout 2011 and early 2012, mixes were passed back an forth across the Atlantica as 1s and 0s over the ether, photos found and scanned and in June and Cloudberry Kitchen records (of New York, by coincidence) released "The Deddingtons" in a beautifully presented digipak. Four (much older and, in my case, more 'well-upholstered') friends got back in touch and, in the safety of  a secret location, even managed to rehearse again. Our songs could now be heard. 2012, we raise our glasses to you.

Our TOP 10 ALBUMS OF 2012, in no particular order, but of which at least 5 are old flames....:
LIGHTSHIPS Electric Cables
LINDEN Bleached Highlights
DYLAN MONDEGREEN S/T
DIIV Oshin
BILL FOX One Thought Revealed
BILL FAY Life is People
THE SHINS Port of Morrow
THE WEDDING PRESENT Valentina
NADA SURF The Stars are Indifferent to Astronomy
THE DEDDINGTONS S/T (well we wanted to be in at least one top ten....)

Come say hi on twitter at @TheDeddingtons

best for guests. high safari



High Safari is a duo - James and Nigel -  from London. Their debut album Skylight is a collection of songs craving for sunnier days while experimenting with catchy melodies... mixing rock and pop and referencing almost every indie rock movement from the past 20 years.

Skylight was released last January and it is available for free on Bandcamp.


facebook     bandcamp     soundcloud     twitter



HIGH SAFARI'S FAVOURITE TRACKS OF 2012
Whatsaaaap playahs!? 2012 has been an exciting year for all kinds of music, and although the charts have been dominated by non-guitar based acts, the constant nonsensical murmurings about the demise of rock music have been unfounded and untrue, loads of brilliant rock ‘n’ roll albums were made this year and many more will be for years to come.  Here’s our favourite tracks of the year:

-------- JAMES
BEAT CONNECTION Further Out

JOEY BADA$$ Waves

TOTALLY ENORMOUS EXTINCT DINOSAURS Tapes & Money

DISCLOSURE Any Disclosure tune of this year

DANNY BROWN Grown Up



-------- NIGEL
KID CUDI, KING CHIP Just What I Am

TAME IMPALA Feels Like We Only Go Backwards

PAWS Sore Tummy

SUMMER HEART I Wanna Go

IBERIA An Ending (Ascent)

best for guests. tear talk


Tear Talk is a band from Liverpool. After spending long hours listening to the C86/Sarah Records scene, Black Tambourine and - specially- Beat Happening, they decided to start making music.
Their debut EP Port Sunlight - released via Bleeding Gold Records last January - is a testament for melancholy made with layers, reverberations, sun and fog.

Among my favorite new artists of the year.

facebook     soundcloud     interview (may, 2012)   


TEAR TALK'S 10 SINGLES OF 2012

SAVAGES Husbands Pop Noire
A band that have owned the latter half of 2012 off the back of this single and a run of brilliant shows. I saw them live before hearing them on record and I was sceptical as to whether or not they would be able to transfer the intensity of their performances onto record. Low and behold they have been able to, and suddenly the future of British music looks gloriously doom-laden.

MONEY Who’s Going to Love You Now Sways Records
An overtly intellectual group, and the jewel in Sways records crown, their debut single is drenched in loneliness and insecurity (our favourite subject matter). Personally, I think the b-side (Goodnight London) offers far more than the single. It’s poetic, articulate  and the kind of music I wish Morrissey still made.

NAKED ON DRUGS Death Dance Sways Records
The latest addition to Sways records, they’re one half The Louche (another great Manchester band) and the other a French clarinettist.  This is the single taken from their debut EP. It’s a sleazy, obnoxious snarl, sort of what I imagine Mark. E Smith and Roland S. Howard would have conjured up should their paths have crossed sometime around the mid-80s. The video also features some of the best dance moves of 2012.

THE TWILIGHT SAD Another Bed Fat Cat Records
The lead single form what is probably my favourite album of the year (No One Can Ever Know), is a synth-driven , disco ballad which are the three words I never thought I would be able to associate with The Twilight Sad. This is the first time I’ve ever heard anyone tackle the subject of infidelity in such a frank and disturbing manor. It’s a shame that James Graham continues to be the most underrated lyricist in Britain.

BROWN BROGUES Anyone But You Italian Beach Babes Records
In the last two years they’ve relentlessly released brilliant singles and this one is no exception. It’s raw, energetic and it’s impossible not to sing-a-long to, even though the majority of lyrics remain a mystery. Most importantly, it has an absolute ear-worm of a riff. This is garage rock at its finest.

THE WILD EYES I Look Good On You Holy Are You Recordings
A brilliant, energetic two and a half minutes of 60s garage rock, the immediacy of the whole song makes it difficult to not to love. If Iggy Pop fronted Crystal Stilts then this is what I imagine they would sound like. An excellent debut single.

BY THE SEA Eveline The Great Pop Supplement
The best band to come out of Merseyside in quite some years, this the first single to be taken form their excellent debut album. It’s always nice to hear a band from Liverpool who sound nothing like any other band from Liverpool. It’s always a massive bonus when they sound like they could have been on Sarah Records.

RICHARD HAWLEY Down in the Woods Parlophone
It was a brave move on Richard Hawley’s part to leave behind his Teddy-boy balladry but, it’s a testament to how good a songwriter he is. It was also great to hear someone make a comment on the state of Britain at the minute, without reverting to lad-rock tactics. It’s a travesty that he wasn’t given the mercury prize.

INDOOR VOICES So Smart Bleeding Gold Records
A brilliant three minute pop song. Apparently, it took years to craft it into what it is now, but it was most definitely worthwhile. Their isn’t one second that goes by, that doesn’t seem absolutely necessary, which I think is a rare find particularly in shoegaze tinged pop such as this. It’s songs like this which makes us proud to be on Bleeding Gold.

FEAR OF MEN Mosaic Too Pure Singles Club / Rough Trade
I think this is hands down the single of the year. It’s short, quick and catchy, everything a good single should be. ‘Bring me to pieces to feel safe/ Just like I’m normal’ has to be the most heartbreaking lyric of the year. A perfect pop song.

the deddingtons

THE DEDDINGTONS

For at least 6 years I've known The Deddingtons as the band of "The Last Day", my favorite song featured on the 6 volumes compilation The Sound of Leamington Spa.
The band was formed by 4 boys around their 20's in Nottingham in the early 90's.

Now, thanks to Roque and Cloudberry Records, that changed. A brand new album (the first of the band) recovering 10 songs from the short period the band was active had just been released.

A fantastic collection of indiepop shared with the world... 22 years later.




interview (on cloudberry cake proselytism)     release

Here's a video shot in 1990 for 'Happy Again'.

INTERVIEW 55. tear talk

photo by Rosie Woods

Tear Talk is a band from Liverpool formed by 4 boys in their early 20's. They met in school and spend a lot of time together listening to Black Tambourine and all the C86/Sarah Records movement.
Beat Happening changed the perspective a bit and from music lovers they became music makers thinking that "if they [Beat Happening] can make it, why can't we?"

In January, Port Sunlight was released via Bleeding Gold Records. Six songs filled with reverbs, some distortion and indiepop gentleness (and sadness). Pop melodies soaked into a background of noise but also sparse elements. An atmosphere of fog and dust that suddenly let's the sun come out between melodic changes and pure, pure fragility.

Quoting them: "...awkward, introverted and melancholic". 'Broken English', the closing track, is a great example and an outstanding ode to melancholic times and the sad ones.


     facebook     bandcamp     soundcloud    

Below's our interview. Time to Tear Talk talk....

civil love

CIVIL LOVE CIVIL LOVE (Independent, 2012)


Civil Love is a band formed in London by 4 guys coming from different places of the world.
Their music is firmly based on 60's pop with references from the 90's indie bands that made sugary guitar driven pop without being too sweet.
If I had an 'Indiepop Promise' badge, I'd give mine to Civil Love.


Earlier this month, a debut EP was released with 4 songs. You can get it at their bandcamp page.




facebook     bandcamp     soundcloud

2011. BEST FOR GUESTS. 33 remi (the sunny street





The Sunny Street started as a duo/couple formed by Remi and Delphine in 2006.Their first songs were written/recorded between packing and  goodbyes while moving from France to England.
Their songs could be best described as idilic, easy listening, escapist bedroom pop. They have a exquisite delicacy and romantic atmosphere that one could feel in a vast, empty field or alone with headphones while sitting in a park.
So far, they have releases on Lavender, Cloudberry, Slumberland and their latest album 'Hidden For Decades' shows a more upbeat side of the band and it was released via Plastilina Records.

facebook     tumblr     bandcamp     soundcloud

"It's been difficult to pick because I listen to all the new stuff months and sometimes years after they released... I am rubbish.
These 5 songs have been important to me this year and this morning in particular (you know how these things change all the time) and I am a bit of a cheat because two of them are taken from reissues. 

Right here is:

THE DRUMS HOW IT ENDED

YELLE QUE VEUX-TU?

DISCO INFERNO THE LAST DANCE

THE WAKE ON OUR HONEYMOON

DEVON WILLIAMS REVELATIONS


2011. BEST FOR GUESTS. 16 moustache of insanity





photo by Tom Ashton
Moustache of Insanity is one of those bands (duos actually, formed by Nik and Bill - also from Allo Darlin') with an impecable ear for catchy melodies and lyrical subjects that can go from sugary-cute and romantic to insanely funny-stupid (and I mean stupid in the best sense possible because it's a 'stupidity' that forms amazing verses).
A lo-fi and DIY sense wraps it all with guitars and electronics.
You can find all their albums on bandcamp with the 'name your price' option!
"I want a moustache, dammit! I wanna look like Burt Reynolds!"

                site     facebook     twitter     bandcamp


"Lists, lists, lists...December is list-making time. Favorite this, favorite that. I kind of both love and hate making lists. You always have to leave some good things out...and in the end rating music is a bit rubbish isn't it? It should be enough that a good song is a good song, without having to go into detail of whether one amazing song is better than another amazing song. And there are so many unwritten rules. How many of your friends' bands are you allowed to plug? How many well-known bands should you put in there? How obscure are you allowed to get before people start thinking you're a dick? So, I don't know...this is a bit of a random list, in no specific order. Some smaller bands, mixed with some better known acts. The main thing they have in common is that, for one reason or another, they've all made an impact on me this year and I can't wait to see what they do next.

If I had to make a list of my actual albums/artists/songs of  2011 (regardless of release date) it would probably look completely different. I'm sure some of the below bands/entries would make their way onto that one as well, but they would be fighting over the spotlight with bands like Andrew Jackson Jihad, Defiance Ohio, Atom & His Package, Fugazi, Pointed Sticks, Nana Grizol, Half Japanese, Eagleowl, Masshysteri, Allo Darlin, Shrag, Bob Hund and Dorotea on that list. Ha, see! I managed to find a way to sneak in those guys as well. All amazing bands...some still going, some long gone. Anyway, here goes...my list of stuff that was actually released in 2011.


ALBUMS









JAPANTHER BEETS, LIME AND RICE (link)
This was only released a month or so ago, so I haven't had the chance to get completely obsessed with it yet….but that will happen I'm sure…always does when it's about Japanther.
HUMOUSEXUAL GRENZENLOS (link)
AWESOME! AWESOME! HUMOUSEXUAL ARE AWESOME! I'm not sure if this really counts as an album, but it's seven songs of awesomeness….and seven awesome songs is more than most albums have on them.
TIMES NEW VIKING DANCE EQUIRED (link)
Their most "polished" album to date and it is just AMAZING.
THE DEATH SET MICHAEL POICCARD (link)
This rocks!
LET'S WRESTLE NURSING HOME (link)
It took me a while to get into this one, but it really is a great record. Wes is an incredible song-writer.

ARTISTS






MATH THE BAND (link)
Math The Band are one of the best live bands ever! They're super sweet guys and their music makes me go silly with excitement. New material coming in 2012 and it's going to be AMAZING!!!!!!
ANAMANAGUCHI (link)
I want to see these guys live soooo bad. I don't really listen to that much instrumental music. Anamanguchi don't need words. Every single track they've ever released is still incredible. Perfect music to brighten up a shitty day.
ANGUISH SANDWICH (link)
Amazing name, amazing band. That's all.
TIGERCATS (link)
Tigercats are GRRRRRRRRRRRRRRREAT! My favourite London band.
JAPANTHER (link)
Probably the best band in the world, live and on record.

SONGS
ANGUISH SANDWICH LEAVE MY BRAIN ALONE


TIGERCATS BANNED AT THE TROXY

TIMES NEW VIKING FUCK HER TEARS

BLACK LIPS MR. DRIVER

HUMOUSEXUAL NO BORDERS
(no link found)


2011. BEST FOR GUESTS. 7 the whatevers





Mike Relton is the words and guitars of Leeds' (UK) finest 90's-twee-meets-indiepop-meets-punkish-manners band. Their music sounds like an effortless, natural evolution from melancholic DIY-ers that populate english bedrooms during the golden years of Sarah Records; and they shake the melancholy a bit by adding some lo-fi rebellion to their melodies and some sassy mood to their lyrics.
They have released singles via Holiday Records and February Records. And you can find a bunch of releases on their bandcamp page.

       
                facebook     bandcamp     interview


"Since about 1994, I have had an imaginary album of the year award, with a ceremony and a big trophy and a prize of several million Imaginary Euros, all in my head, at the end of the year. This was the first year I decided maybe I should grow out of that and just listen to my favourite records without putting them into silly little lists, and lo and behold you’ve asked me to do this and got me started again! So here we go...

ALBUMS
1 JOHNNY FOREIGNER VS EVERYTHING (link)
I only really discovered them this year and I got to go see them live in a tiny little room in Wakefield, they started with ‘johnny foreigner vs you’ from this record, that was awesome. I can always tell which is my favourite album of the year because I sing the songs from it when I am drunk and last night I was at this party doing laughing gas with a bunch of environmental activists and as we staggered into the taxi I was looking at all the trees and the winter stars through the fog and in my head I could just hear the chorus of ‘New Street, You Can Take It’. So yeah, whichever album makes me feel like my life is a film and it is the soundtrack and the city is a lover, that one’s my favourite, and this year it is this one and I just wanna hear it on the bus and when I wake up and when I am falling asleep.

2 LOS CAMPESINOS HELLO SADNESS (link)
I’m starting to feel really bad about not giving Los Cam my imaginary album of the year. They have come second three times. One year they came second AND third in the same year! What do they have to do?!! I’m sure they’re really bothered like. They can always cling on to the example of Belle and Sebastian. They never won it until 2006. It’ll be like Frank Bruno winning his world title. Years of build up, it’ll all mean so much more when it finally comes.



3 YUCK S/T (link)
There is always one album in a year that you listen to loads and loads because it is easy enough to listen to, and you wouldn’t really think of it as your album of the year and then you realise you have played it more than anyone else’s album because you always have it on when you are doing the washing up or cleaning the bathroom or something.


4 COMET GAIN HOWL OF THE LONELY CROWD (link)
I didn’t like this one quite as much as I liked ‘City Fallen Leaves’ but I did still like it quite a very lot. Especially the bit on ‘An Arcade From The Warm Rain That Falls’ where he just sings lists of public parks. I thought that was very clever. I wish I had thought of that first. This is a great album for about four in the morning when the legs have gone but the head is still there and everyone wants to sing sweet drunken songs about dirty girls they used to know. Sort of that point in the night when the sun starts to come up and you are drinking toasts to John Steinbeck and the Queen. And to Queen as well.

5 CYMBALS EAT GUITARS LENSES ALIEN (link)
There’s a real sense of freedom about this band’s songs, like they’re making it up as they go along and they might fall over at any second. I like that in a band. Their albums always seem to peter out a little bit towards the end but hey, haters love to hate. This is a good record and I can just eat a fat dick and shut the fuck up if I think I can criticise it. They sound a bit like a kind of prog rock Pavement if you haven’t heard them. Because I grew up in the North of England, it was always miserable and cold and a lot like living in a Smiths record cover, and the hazy vision of suburban America you saw on the telly seemed like this impossible romantic glamorous vision. So this album is like listening to crooked rain or smashing pumpkins or something and you pretend it is the soundtrack to going and hanging out in a big car park outside a walmart and doing things on skateboards with all your cool punk friends. Like if you lived in a Kevin Smith-directed cross between ‘Calvin and Hobbes’ and ‘Malcolm in the middle’. I am sure you know what I mean.


SINGLES








1 CHER LOYD SWAGGER JAGGER (link)
I’m not even joking man. I mean, what could anyone possibly find to not like about this record? It’s like a grimey dance take on ‘build a bonfire’. In fact it is the same tune. ‘build a bonfire, build a bonfire, put the teachers on the top...’ Some of your readers may know this tune with alternative lyrics called ‘found a peanut’. Anyway it is one of the great tunes, the great folk tunes that never die, and now it goes ‘swagger jagger, swagger jaaager, you should get some of your own’ and it is totally awesome.
2 ZIPPER THE BADGE (link)
I have got no idea if this song has even been a single or if it was released this year but I love it so much I am picking it anyway. It was the soundtrack to my Indietracks. I think they are from Spain or Mexico or somewhere and I imagine they are all absolutely amazing in bed and have pet panthers like in the novels of Louis De Bernieres.
3 THE PAINS OF BEING PURE AT HEART  HEART IN YOUR HEARTBREAK (link)
This one shouldn’t be here either ‘cos I think it was released in December of 2010? But it was really criminal that they weren’t in the albums of the year so I am picking it. This song is like stealing a car with Molly Ringwald. 
4 THIS MANY BOYFRIENDS YOUNG LOVERS GO POP (link)
This is a very good single and it has a very good chorus. I cannot think of anything else to say about this many boyfriends at all. 
5 RUNAROUND KIDS CAN’T LOSE LOVER (link)
Do you know sometimes you go through periods where you wish everyone would just shut up with all the talking and even become annoyed with your own inner monologue? You are trying to sleep or watch the telly or smoke fags or something and your own thoughts are just prattling on and on and you think SHUT UP I HAVEN’T GOT ANY SPARE CHANGE I DON’T SPEAK MEXICAN I DON;T WANT TO BUY ANYTHING TODAY THANK YOU?
Well this happened to come out while I was feeling like that and the chorus goes ‘stop talking stop talking STOP TALKING STOP TALKING’ and it struck a chord really.

BAND(S) OF THE YEAR
THE FLAMING LIPS (link)
You know ‘step into a world’ by KRS ONE where it goes ‘I’m not saying I’m number one-no sorry I lied I’m number one two three four and five’? I am sure you do. Well The Flaming Lips are my top five bands this year. They’ve released a double album’s worth of amazing new stuff in interesting ways like flash drive’s inside skulls and fetuses made of sweets. MADE OF SWEETS, no less. And then they did a six hour song and THEN they did a 24 hour song called ‘7SkiesH3’ and rather than just being a gimmick it was jaw droppingly amazing, especially the first hour and twelve minutes which comprises a long sad song that sounds like Pink Floyd and then this incredible blissed out synth jam which I think is a collaboration with Panda Bear. They were also my favourite gig of the year because I saw them doing the whole of ‘The Soft Bulletin’ in London and I cried like a big girls blouse all the way through. Wow, I love The Flaming Lips. I wanna be them when I grow up.

2011. BEST FOR GUESTS. 2 echo lake


Echo Lake is a five-piece band from London. In 2011, they released their debut EP (Young Silence) and a single (Another Day / Breath Deep) through No Pain In Pop. Their music is lush, dreamy, layered, psychedelic, distorted, dense... metamphetaminic. Gathering a bunch of great reviews from mainstream media and buzz at the blogosphere, Echo Lake is one of the breakthrough acts from 2011.

site      facebook          bandcamp           twitter

HERE'S THOM + LINDA

 "...Linda and I have chosen a few tracks, artists and albums this year that we think stand out. 
Here's our lists, we've tried really hard not to pick the same artist/band more than once but it was very hard. 
So, In no particular order..."










PANDA BEAR TOM BOY (link)
DESTROYER KAPUTT (link)
KURT VILE SMOKE RING FOR MY HALO (link)
GANG GANG DANCE EYE CONTACT (link)
PJ HARVEY LET ENGLAND SHAKE (link)




M83 MIDNIGHT CITY


ST VINCENT CRUEL


STILL CORNERS INTO THE TREES


MOON DUO FALLOUT
listen

MIKAL CRONIN GREEN AND BLUE
listen










CASS MCCOMBS
BRADFORD COX
JOHN MAUS
GIRLS
KURT VILE


Honorable mentions go to Julianna Barwick, The Horrors, The Field, Dirty Beaches, Washed Out, Grouper, No Joy, War On Drugs, BORIS and Veronica Falls for making 2011 rich with amazing music.
That was incredibly hard to narrow down and stressful haha. 
Thanks
Thom & Linda (EL)
x