Code Pie completes a decade in 2012 having released three absolutely stunning albums and you, indie lover, probably don't know that. I'll focus my words on their latest album 'Love Meets Rage', released last April on their own label, Flagless Records.
This album was built during a period of two years and it's a complex, profound and intricate combination of (love and rage) layers of crafting and feelings, going from C86 sappy pop and reaching powerful ballads (but not before passing through some shoegaze and reverberations). All put together, in one song, managing to give you a feeling that everything's in its right place, tempo and rhythm. Beneath the noise of reverberations or distorted guitars, there's a beautiful and delicate piano. When the noise is gone, there's this dreamy and dense horn/trumpet carrying a song like a cloud over the city. Just like that: without any visible (or listenable) effort.
Take 'North Side City View', for instance: a 4 minute song that starts very pop-ish and suddenly turns into an instrumental-almost-ambient song that slowly builds up into a crescendo and takes you along, you wanting or not... the same happens in 'Morning After'.
What makes Code Pie stand out from other bands from the (amazing) Canadian scene, is their ability to keep an aesthetic unity and, at the same time, not holding back when building the tension for their musical combinations (again, love and rage).
Here's to you your new favourite Canadian band.
Before the interview, check an awesome video and cover for 'Baby', a song from fellow Canadian singer Justin Bieber.
